Classification of folk dance song of Uttarakhand Garhwal – 3 [“गढ़वाल के लोक नृत्य गीत” डॉ शिवानन्द नौटियाल द्वारा लिखी हुई एक महत्वपूर्ण पुस्तक है। इसी पुस्तक की समीक्षा श्री भीष्म कुकरेती जी द्वारा की गयी है। इस पुस्तक समीक्षा को एक श्रंखला के रूप में प्रकाशित कर रहे हैं। इस श्रंखला के माध्यम से आप उत्तराखंड-गढ़वाल के सांस्क़ृतिक परिदृशय से भी परिचित होंगे।- प्रबंधक] पहला भाग, दूसरा भाग Chapter-2 Religious Dance Folk Songs Uttarakhand-Garhwal is a land of Deities, Gods and Goddesses and there is wide impact of deities,…
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Reviews of books related to Uttarakhand.
Classification of Folk Dance-Songs of Garhwal by Dr Shivanand Nautiyal-2
[“गढ़वाल के लोक नृत्य गीत” डॉ शिवानन्द नौटियाल द्वारा लिखी हुई एक महत्वपूर्ण पुस्तक है। इसी पुस्तक की समीक्षा श्री भीष्म कुकरेती जी द्वारा की गयी है। इस पुस्तक समीक्षा को एक श्रंखला के रूप में प्रकाशित कर रहे हैं। इस श्रंखला के माध्यम से आप उत्तराखंड-गढ़वाल के सांस्क़ृतिक परिदृशय से भी परिचित होंगे।- प्रबंधक] प्रस्तुत है दूसरा भाग। [पहला भाग यहाँ पढ़ें] Taxonomy by Abodh Bandhu Bahuguna (1954): Analysis of Garhwali folk songs started by Abodh Bandhu Bahuguna.Dhunyal (1954) is first work of analyzing and classifying the Garhwali Folk…
Read MoreClassification of Folk Dance-Songs of Garhwal by Dr Shivanand Nautiyal-1
[“गढ़वाल के लोक नृत्य गीत” डॉ शिवानन्द नौटियाल द्वारा लिखी हुई एक महत्वपूर्ण पुस्तक है। इसी पुस्तक की समीक्षा श्री भीष्म कुकरेती जी द्वारा की गयी है। इस पुस्तक समीक्षा को एक श्रंखला के रूप में प्रकाशित कर रहे हैं। इस श्रंखला के माध्यम से आप उत्तराखंड-गढ़वाल के सांस्क़ृतिक परिदृशय से भी परिचित होंगे।- प्रबंधक] (Commentary on Garhwal ke Lok Nritya Geet, a Timeless Book on Folk Song-Dance of Garhwal) Late Dr Shivananad Nautiyal is not an unknown name in Garhwali folk literature nor is he unfamiliar in social and…
Read MoreDas Saley Khabar Sar : A Collection of Articles in Garhwali
In my opinion, Gad matyaki ganga edited by Abodh Bandhu Bahuguna in association with Durga Prasad Ghildiyal was first Garhwali article collection. “Das Saley Khabar Sar” is another collection of Garhwali language articles. It is an historical and appreciable work of Vimal Negi the editor of a Garhwali language fortnightly news paper. Uttarakhand Khabar Sar, which is being published regularly for past ten years. There are selected articles , which were published in Uttarakhand Khabar Sar. There are forty four articles, and sixteen Garhwali poems along with tens of important…
Read MoreGwai : First Step towards Regionalism in Garhwali Literature
According to wikipedia, the regionalism in literature is defined as- “In literature, regionalism or local colour fiction refers to fiction or poetry that focuses on specific features – including characters, dialects, customs, history, and topography – of a particular region. Since the region may be a recreation or reflection of the author’s own, there is often nostalgia and sentimentality in the writing.” There have been discussions on standardisation of local language in past (Discussion in Dhad, 1990-91, issue-6,7 and 8 and in Chitthi Patri June, 2004) and this discussion still…
Read MoreUktat:Satirical Poems of Harish Juyal
The Satirical poetry, as its name suggest, is the art of writing poems which echoes the feeling of satire. Satire is often strictly defined as a literary genre or form; although, in practice, it is also found in the graphic and performing arts. In satire, human or individual vices, follies, abuses, or shortcomings are held up to censure by means of ridicule, derision, burlesque, irony, or other methods, ideally with the intent to bring about improvement (Reference: Wikipedia). In Garhwali literature too the Satirical poems exist. There are various poets…
Read More“The Boy from Lambata” –An honest account of life
He has been witness to the pre and post independent India’s developmental history and was a constant companion of Pt. Jawahar Lal Nehru during his gigantic task of building a new and resurgent India. He was there wherever the ‘Temples of Tomorrow’, as Nehru called them, were being built. His lunatic obsession with ‘duty-first’ drove him into taking life-threatening risks throughout his professional career. While covering Nehru’s USSR visit, he met with an accident and suffered injuries to his head. Pt. Nehru himself inspected his injuries and retorted ‘Shaheed Banana Chahte Ho Kya??’ When he was filming the havoc created by Brahmaputra in Assam, he was physically pulled away to safety by Pt. Nehru from a chunk of earth that sunk into the mighty river. He would climb onto the roof of speeding cars to take his favourite shots, which is why he was so successful as a newsreel cameraman.Pt. Nehru had a personal liking for this kumauni lad not merely for his professional competence but for his sheer dedication and determination in carrying out the assigned tasks.
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